cinoh:

ekko-fotoHøsting. Snillfjord

(via thinkingimages)

kingtexas:


8/9/14 . Downtown Saturday Night at W Hotel featuring resident JASMINE SOLANO with special guest Venus X

(Source: kingtexas.net, via lostinurbanism)

inneroptics:

William Burroughs - Robert Mapplethorpe

inneroptics:

William Burroughs - Robert Mapplethorpe

(via rommy)

bintphotobooks:

Jour d’orage à Florence, Italie, août 2014 © Florence Delabyhttp://www.loeildelaphotographie.com/2014/08/26/holidays/25906/florence-delaby-your-holiday-pictures-2014?utm_campaign=website&utm_source=sendgrid.com&utm_medium=email  

Florence Delaby

bintphotobooks:

Jour d’orage à Florence, Italie, août 2014 © Florence Delabyhttp://www.loeildelaphotographie.com/2014/08/26/holidays/25906/florence-delaby-your-holiday-pictures-2014?utm_campaign=website&utm_source=sendgrid.com&utm_medium=email  

Florence Delaby

bidibidobidiboo:

yutaka takanashi

bidibidobidiboo:

yutaka takanashi

mpdrolet:

China
Jiří Makovec

mpdrolet:

China

Jiří Makovec

mpdrolet:

Ren Hang

mpdrolet:

Ren Hang

Para*ba PB
Silvino Mendonça

24pg, 14.8 x 21cm, b/w laser, staple bound, edition of 30
São Paulo, Brazil: Contra Editora, 2013

BOOKLET LIBRARY - Mendonça, Silvino

(via thinkingimages)

hamonikakoshoten:

東京 荒木経惟写真集3

(via dig-image)

likeafieldmouse:

Paul Klee - Memory of a Bird (1932)

Silvino Mendonça

(via thinkingimages)

eastmanhouse:

Organ grinder on street with children passingCromer’s Amateur, French, active 1845 - 1855
ca. 1848daguerreotype8.3 x 7.0 cm., 1/6 plateNational Origin: France

eastmanhouse:

Organ grinder on street with children passing
Cromer’s Amateur, French, active 1845 - 1855
ca. 1848
daguerreotype
8.3 x 7.0 cm., 1/6 plate
National Origin: France

killerbeesting:

Wayne Miller, Mourners at funeral, Chicago, 1947

killerbeesting:

Wayne Miller, Mourners at funeral, Chicago, 1947

Taisuke Mohri

(Source: lacarpa, via gouldbookbinder)

ryanpanos:

Deadline | Will Steacy | Via

With the increased presence of large-scale media conglomerates and online news forums, the newspaper industry has taken a disastrous hit, yet over half of American citizens remain unaware of the trials now facing our trusted journalists and photographers. For Deadline, photographer Will Steacy confronts the brutal truth of contemporary news by photographing the historic offices of The Philadelphia Inquirer, where his father worked for decades.

Capturing the frenzied scenes of the newsroom and printing plant, Steacy highlights the unwavering dedication of the Inquirer staff, whose commitment to reportage faces an uphill battle against larger media corporations. In these strewn papers and furrowed brows, we find a steadfast allegiance to integrity, a desire to inform the public of the sometimes disturbing truths that affect our lives. Set against the hustle and bustle of the newsroom are tragically empty spaces, rooms cleared out and abandoned through financial necessity. Ultimately, Deadline is an urgent call to action on behalf of not only those newspaper staff members left jobless but on behalf of our country and its citizens, our shared past, and an uncertain future.